Communication 6605
Media Studies
Fall 1996


Prof. Gil Rodman (CIS 3040, 974-3025)
Office Hours: Tu 1-2 pm, Th 5-6 pm, and by appointment

Course materials:
  1. Judith Williamson, Decoding Advertisements: Ideology and Meaning in Advertising. Available at the University Bookstore.
  2. Photocopied essays. Required readings are available in the Communication Department Library (CIS 3026). Given the size of the class, the quantity of articles to be read, and the limits to the number of copies I can reasonably make available, I would strongly encourage y'all to engage in a photocopying "co-op" using the department reserve copies.
  3. An e-mail account. Participation in the listserv (MEDIA-L) that has been set up for this course will require you to have (and use) an e-mail account. Students without e-mail accounts should check with their college or department for details on how to get one.

Listserv participation:
The primary purpose of this list is to provide an additional forum for discussion of the issues raised by the assigned readings and our weekly sessions. Prompts intended to spur on the dialogue will be posted as necessary.

Given that listservs tend to evolve in amorphous and chaotic fashion, there will be no formal bookkeeping procedures used to assess your contribution to the list. As a rough guideline, I would estimate that ten substantial (i.e., more than a paragraph long) posts per person over the course of the semester would constitute a reasonable contribution to the discussion.

Occasionally, the list may be used to make course-related announcements (e.g., "please add the collected works of Marx to next week's reading") or to pass word on about other media studies related topics that may be of interest to the class (e.g., calls for papers, upcoming conferences, recently published articles and books, etc.). So check your e-mail often.

To join the list, send an e-mail message to LISTSERV@nosferatu.cas.usf.edu in which the body of the message (not the subject) consists of:
	subscribe MEDIA-L your-firstname your-lastname
To post to the list, send an e-mail message to MEDIA-L@nosferatu.cas.usf.edu

Additional information about the list and how to use it will be sent to you when you subscribe.
Papers:
Choose one of the following two options:
  1. One (1) 25-30 page research paper on a media studies related subject. Due by December 17. Those choosing this option should consult with me as early in the semester as possible to discuss their choice of topics. A brief (if it's more than 2 pages, it's too long) written statement describing your intended project is due by October 15. Ideally, the finished product should be suitable for submission to a conference or a refereed journal.
  2. Three (3) 8-10 page critical response papers. The due dates for these papers are:
    		Paper due on		Covering course sections
    		Oct 8				1/2/3/4/5
    		Nov 12				6/7/8/9/10
    		Dec 17				11/12/13/14
    You are free to write on whatever topic(s) you like from the material covered during the course sections associated with each paper. If you have questions about specific topics you have in mind, please feel free to talk to me about them ahead of time. These essays should be thoughtful, critical engagements with the course material in question; they should not be mere summaries of the readings or regurgitation of our in-class/on-line conversations.

    N.B.: I will assume that anyone who hasn't turned in a response paper by the first of the deadlines above has opted to do the research paper instead.

Office hours:
My office is located at CIS 3040 and I've got official office hours this semester on Tuesdays from 1-2 pm, Thursdays from 5-6 pm. I'm more than willing, however, to make arrangements to meet with people outside of those hours as the need arises. To set up an alternate meeting time, you can either call me (974-3025) or drop me an e-mail note (at either grodman@cis01.cis.usf.edu or gbr@kcii.com).
Aug 27
0: Introduction and overview

no readings

Sep 3
1: The mass culture debates (then)

Strinati, "Mass Culture and Popular Culture"
Klonsky, "Along the Midway of Mass Culture"
MacDonald, "A Theory of Mass Culture"
Rosenberg, "Mass Culture in America"
D.M. White, "Mass Culture in America: Another Point of View"
Rosenberg, "Mass Culture Revisited"
D.M. White, "Mass Culture Revisited"
Gans, "The Critique of Mass Culture"

Sep 10
2: The mass culture debates (now)

Lasch, "Mass Culture Reconsidered"
Aronowitz, "Mass Culture and the Eclipse of Reason: The Implications for Pedagogy"
Bloom, "Music"
Hirsch et al., "Who Needs the Great Works?"
Howe, "The Value of the Canon"
Pollitt, "Why We Read: Canon to the Right of Me . . ."
Levine, "Prologue"
Ross, "No Respect: An Introduction"
Anderson, "Reflections on Magnum, P.I."
Frith, "The Good, the Bad, and the Indifferent: Defending Popular Culture From the Populists"
Radway, "Mail-Order Culture and Its Critics: The Book-of-the-Month Club, Commodification and Consumption, and the Problem of Cultural Authority"

Sep 17
3: The Frankfurt school

Strinati, "The Frankfurt School and the Culture Industry"
Marcuse, "Some Social Implications of Modern Technology"
Adorno and Horkheimer, "The Culture Industry: Enlightenment as Mass Deception"
Adorno, "How to Look at Television"
Adorno, "On Popular Music"
Gendron, "Theodor Adorno Meets the Cadillacs"
Benjamin, "The Work of Art in the Age of Mechanical Reproduction"

Sep 24
4: Semiotics (and a little structuralism)

Strinati, "Structuralism, Semiology and Popular Culture"
Williamson, Decoding Advertisements, pp. 15-39
Williamson, "Three Kinds of Dirt"
Andrew, "Signification"
Eco, "Towards a Semiotic Inquiry Into the Television Message"
McCloud, "The Vocabulary of Comics"

Oct 1
5: Structuralism (and a little semiotics)

Barthes, "Myth Today"
Barthes, "Introduction to the Structural Analysis of Narratives"
Chambers, "Roland Barthes: Structuralism/Semiotics"
Coward and Ellis, "Structuralism"
Eco, "Casablanca: Cult Movies and Intertextual Collage"
McClary, "Living to Tell: Madonna's Resurrection of the Fleshly"

Oct 8
6: Marxism and political economy
Response paper #1 due

Strinati, "Marxism, Political Economy and Ideology" (especially pp. 136-146)
Murdock and Golding, "For a Political Economy of Mass Communications"
Jhally, "The Political Economy of Culture"
Stabile, "The Emperor's New Clothes: Contemporary Media and Delusions of Democracy"
Herman and Chomsky, "Propaganda Mill: The Media Churn Out the Official Line"
Dreier, "The Corporate Complaint Against the Media"
The Nation, special section on "The National Entertainment State"
Meehan, "Conceptualizing Culture as Commodity: The Problem of Television"
Tomita and Bybee, "Theories of News"
Huey, "America's Hottest Export: Pop Culture"

Oct 15
7: Marxism and ideology
Research paper topics due

Strinati, "Marxism, Political Economy and Ideology" (especially pp. 130-136, 146-159)
Hall, "The Rediscovery of 'Ideology': The Return of the Repressed in Media Studies"
M. White, "Ideological Analysis and Television"
Williamson, Decoding Advertisements, pp. 11-14, 40-59, 97-137

Oct 22
8: Marxism and hegemony

Strinati, "Marxism, Political Economy and Ideology" (especially pp. 160-176)
Hebdige, "From Culture to Hegemony"
Grossberg, "Strategies of Marxist Cultural Interpretation"
Bennett, "Introduction: Popular Culture and 'The Turn to Gramsci'"
Hall, "Popular Culture and the State"
Good, "Power, Hegemony, and Communication Theory"
Stabile, "Resistance, Recuperation, and Reflexivity: The Limits of a Paradigm"

Oct 29
9: Psychoanalysis

Ellis, "Ideology and Subjectivity"
Williamson, Decoding Advertisements, pp. 60-84
Jancovich, "Screen Theory"
Adlam et al., "Psychology, Ideology and the Human Subject"
Hall et al. "Debate: Psychology, Ideology and the Human Subject"
Penley, "Feminism, Psychoanalysis, and the Study of Popular Culture"

Nov 5
10: Feminism

Strinati, "Feminism and Popular Culture"
Treichler, "Teaching Feminist Theory"
Huyssen, "Mass Culture as Woman: Modernism's Other"
Winship, "'A Girl Needs to Get Street-Wise': Magazines for the 1980s"
Radway, "Identifying Ideological Seams: Mass Culture, Analytic Method, and Political Practice"
Moore, "Here's Looking at You, Kid!"
Stabile, "Erasing Racism: Murphy Brown, Dan Quayle and the L.A. Riots"

Nov 12
11: Postmodernism
Response paper #2 due

Strinati, "Postmodernism and Popular Culture"
Bérubé, "Just the Fax, Ma'am: Or, Postmodernism's Journey to Decenter"
Baudrillard, "Simulacra and Simulations"
Jameson, "Postmodernism, or The Cultural Logic of Late Capitalism"
McRobbie, "Postmodernism and Popular Culture"
Guattari, "The Postmodern Dead End"
Michaels, "My Essay on Postmodernity"
Hebdige, "The Bottom Line on Planet One: Squaring Up to The Face"
Lipsitz, "Cruising Around the Historical Bloc: Postmodernism and Popular Music in East Los Angeles"

Nov 19
12: Cultural studies I

Grossberg, "Cultural Studies: What's in a Name (One More Time)"
Nelson, "Always Already Cultural Studies: Academic Conferences and a Manifesto"
Bérubé, "Pop Goes the Academy: Cult Studs Fight the Power"
Williams, "Culture Is Ordinary"
Williams, "The Analysis of Culture"
Hall, "Encoding/Decoding"
Hall, "Reflections Upon the Encoding/Decoding Model"
Hall, "Notes on Deconstructing 'The Popular'"
Bennett, "The Politics of 'The Popular' and Popular Culture"

Nov 26
no class: SCA/Thanksgiving

Dec 3
13: Cultural studies II

Grossberg, "Mapping Popular Culture"
Seigworth, "Sound Affects"
Ross, "Ballots, Bullets, or Batmen: Can Cultural Studies Do the Right Thing?"
Morris, "Tooth and Claw: Tales of Survival, and Crocodile Dundee"
Stabile, "Taking the Bite Out of the Media's Crime Wave"
Rodman, "Elvis Culture"

Dec 10
14: Teaching the media

Grossberg, "Teaching the Popular"
Bérubé, "Entertaining Cultural Criticism"
Giroux and Simon, "Popular Culture and Critical Pedagogy: Everyday Life as a Basis for Curriculum Knowledge"
Henderson, "Communication Pedagogy and Political Practice"
Stabile, "Another Brick in the Wall: (Re)Contextualizing the Crisis"
Ulmer, "Introduction: Academic Discourse in the Age of Television"
Halliday, "In Wonder Land . . ."

Dec 17
Research paper/Response paper #3 due

Bibliography of photocopied articles

Diana Adlam, Julian Henriques, Nikolas Rose, Angie Salfield, Couze Venn, and Valerie Walkerdine, "Psychology, Ideology and the Human Subject," Ideology and Consciousness, 1, 1977, pp. 5-56.

Theodor W. Adorno, "How to Look at Television," The Quarterly of Film, Radio, and Television, 8(3), 1954, pp. 213-235.

Theodor W. Adorno, "On Popular Music." Originally published in 1941. Reprinted in Simon Frith and Andrew Goodwin (eds.), On Record: Rock, Pop, and the Written Word. New York: Pantheon, 1990, pp. 301-314.

Theodor W. Adorno and Max Horkheimer, "The Culture Industry: Enlightenment as Mass Deception." Originally published circa 1945. Reprinted in Simon During (ed.), The Cultural Studies Reader. New York: Routledge, 1993, pp. 29-43.

Christopher Anderson, "Reflections on Magnum, P.I." Originally published in 1985. Reprinted in Horace Newcomb (ed.), Television: The Critical View (fourth edition). New York: Oxford University Press, 1987, pp. 112-125.

Dudley Andrew, "Signification." In Concepts in Film Theory. New York: Oxford University Press, 1984, pp. 57-74.

Stanley Aronowitz, "Mass Culture and the Eclipse of Reason: The Implications for Pedagogy." Originally published in 1977. Reprinted in Donald Lazere (ed.) American Media and Mass Culture: Left Perspectives. Berkeley: University of California Press, 1987, pp. 465-471.

Roland Barthes, "Introduction to the Structural Analysis of Narratives." Originally published in 1966. Translation by Stephen Heath. Reprinted in Image-Music-Text. New York: Hill and Wang, 1977, pp. 79-124.

Roland Barthes, "Myth Today." Originally published in 1957. Translation by Annette Lavers. Reprinted in Mythologies. New York: Noonday, 1972, pp. 109-159.

Jean Baudrillard, "Simulacra and Simulations." Originally published in 1983. Translation by Paul Foss, Paul Patton, and Philip Beitchman. Reprinted in Selected Writings. Stanford, CA: Stanford University Press, 1988, pp. 166-184.

Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction." In Illuminations: Essays and Reflections. Translation by Harry Zohn. New York: Shocken Books, 1969, 217-251.

Tony Bennett, "Introduction: Popular Culture and 'The Turn to Gramsci.'" In Tony Bennett, Colin Mercer, and Janet Woollacott (eds.), Popular Culture and Social Relations. Philadelphia: Open University Press, 1986, pp. xi-xix.

Tony Bennett, "The Politics of 'The Popular' and Popular Culture." In Tony Bennett, Colin Mercer, and Janet Woollacott (eds.), Popular Culture and Social Relations. Philadelphia: Open University Press, 1986, pp. 6-21.

Michael Bérubé, "Entertaining Cultural Criticism." Paper presented to the Unit for Criticism and Interpretive Theory Monthly Colloquium Series, University of Illinois at Urbana- Champaign, March 1995.

Michael Bérubé, "Just the Fax, Ma'am: Or, Postmodernism's Journey to Decenter." In Public Access: Literary Theory and American Cultural Politics. New York: Verso, 1994, pp. 119-135.

Michael Bérubé, "Pop Goes the Academy: Cult Studs Fight the Power." In Public Access: Literary Theory and American Cultural Politics. New York: Verso, 1994, pp. 137-160.

Allan Bloom, "Music." In The Closing of the American Mind. New York: Simon and Schuster, 1987, pp. 68-81.

Iain Chambers, "Roland Barthes: Structuralism/Semiotics," Working Papers in Cultural Studies, 6, 1974, pp. 49-68.

Rosalind Coward and John Ellis, "Structuralism." In Language and Materialism: Developments in Semiology and the Theory of the Subject. Boston: Routledge and Kegan Paul, 1977, 12-24.

Peter Dreier, "The Corporate Complaint Against the Media." Originally published in 1983. Reprinted in Donald Lazere (ed.) American Media and Mass Culture: Left Perspectives. Berkeley: University of California Press, 1987, pp. 64-80.

Umberto Eco, "Casablanca: Cult Movies and Intertextual Collage." Originally published in 1984. Reprinted in Travels in Hyperreality. Translation by William Weaver. New York: Harcourt Brace Jovanovich, 1986, pp. 197-211.

Umberto Eco, "Towards a Semiotic Inquiry Into the Television Message." Originally published in 1965. Translation by Paola Splendore. Reprinted in Working Papers in Cultural Studies, 3, 1972, pp. 103-121.

John Ellis, "Ideology and Subjectivity." In Stuart Hall, Dorothy Hobson, Andrew Love, and Paul Willis (eds.), Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Boston: Unwin Hyman, 1980, pp. 186-194, 297-298.

Simon Frith, "The Good, the Bad, and the Indifferent: Defending Popular Culture From the Populists," diacritics, 21(4), 1991, pp. 102-115.

Herbert Gans, "The Critique of Mass Culture." In Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York: Basic Books, 1974, pp. 17-64.

Bernard Gendron, "Theodor Adorno Meets the Cadillacs." In Tania Modleski (ed.), Studies in Entertainment: Critical Approaches to Mass Culture. Bloomington: Indiana University Press, 1986, pp. 18-36.

Henry A. Giroux and Roger Simon, "Popular Culture and Critical Pedagogy: Everyday Life as a Basis for Curriculum Knowledge." In Henry A. Giroux and Peter L. McLaren (eds.), Critical Pedagogy, the State, and Cultural Struggle. Albany: State University of New York Press, 1989, pp. 236-252, 290-292.

Leslie T. Good, "Power, Hegemony, and Communication Theory." In Ian Angus and Sut Jhally (eds.) Cultural Politics in Contemporary America. New York: Routledge, 1989, pp. 51- 64, 363-365.

Lawrence Grossberg, "Cultural Studies: What's in a Name (One More Time)," Taboo: The Journal of Culture and Education, 1, 1995, pp. 1-37.

Lawrence Grossberg, "Mapping Popular Culture." In We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge, 1992, pp. 69-87, 409-410.

Lawrence Grossberg, "Strategies of Marxist Cultural Interpretation," Critical Studies in Mass Communication, 1, 1984, pp. 392-421.

Lawrence Grossberg, "Teaching the Popular." In Cary Nelson (ed.), Theory in the Classroom. Urbana: University of Illinois Press, 1986, pp. 177-200.

Félix Guattari, "The Postmodern Dead End," Flash Art, May/June 1986, pp. 40-41.

Stuart Hall, "Encoding/Decoding." In Stuart Hall, Dorothy Hobson, Andrew Love, and Paul Willis (eds.), Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Boston: Unwin Hyman, 1980, pp. 128-138, 294-295.

Stuart Hall, "Notes on Deconstructing 'The Popular.'" In Raphael Samuel (ed.), People's History and Socialist Theory. London: Routledge, 1981, pp. 227-240.

Stuart Hall, "Popular Culture and the State." In Tony Bennett, Colin Mercer, and Janet Woollacott (eds.), Popular Culture and Social Relations. Philadelphia: Open University Press, 1986, pp. 22-49.

Stuart Hall, "The Rediscovery of 'Ideology': The Return of the Repressed in Media Studies." In Michael Gurevitch, Tony Bennett, James Curran, and Janet Woollacott (eds.), Culture, Society, and the Media. New York: Methuen, 1982, pp. 56-90.

Stuart Hall, "Reflections Upon the Encoding/Decoding Model." In Jon Cruz and Justin Lewis (eds.), Viewing, Reading, Listening: Audiences and Critical Reception. Boulder: Westview, 1994, pp. 253-274.

Stuart Hall, Diana Adlam, Julian Henriques, Nikolas Rose, Angie Salfield, Couze Venn, and Valerie Walkerdine, "Debate: Psychology, Ideology and the Human Subject," Ideology and Consciousness, 3, 1979, pp. 113-127.

Julian Halliday, "In Wonder Land . . ." Unpublished manuscript, 1991.

Dick Hebdige, "The Bottom Line on Planet One: Squaring Up to The Face," Ten.8, 19, 1987, pp. 40-49.

Dick Hebdige, "From Culture to Hegemony." In Subculture: The Meaning of Style. New York: Methuen, 1979, pp. 5-19, 141-142.

Lisa Henderson, "Communication Pedagogy and Political Practice," Journal of Communication Inquiry, 18(2), 1994, pp. 133-152.

Edward S. Herman and Noam Chomsky, "Propaganda Mill: The Media Churn Out the Official Line," The Progressive, June 1988, pp. 14-17.

E.D. Hirsch Jr., John Kaliski, Jon Pareles, Roger Shattuck, and Gayatri Spivak, "Who Needs the Great Works?" Harper's, September 1989, pp. 43-52.

Irving Howe, "The Value of the Canon." Originally published 1991. Reprinted in Paul Berman (ed.), Debating P.C.: The Controversy Over Political Correctness on College Campuses. New York: Dell, 1992, pp. 153-171.

John Huey, "America's Hottest Export: Pop Culture," Fortune, 31 December 1990, pp. 50-53, 56, 58, 60.

Andreas Huyssen, "Mass Culture as Woman: Modernism's Other." In Tania Modleski (ed.), Studies in Entertainment: Critical Approaches to Mass Culture. Bloomington: Indiana University Press, 1986, pp. 188-207.

Fredric Jameson, "Postmodernism, or The Cultural Logic of Late Capitalism," New Left Review, 146, 1984, pp. 53-92.

Mark Jancovich, "Screen Theory." In Joanne Hollows and Mark Jancovich (eds.), Approaches to Popular Film. Manchester: Manchester University Press, 1995, pp. 123-150.

Sut Jhally, "The Political Economy of Culture." In Ian Angus and Sut Jhally (eds.) Cultural Politics in Contemporary America. New York: Routledge, 1989, pp. 65-81, 365-366.

Milton Klonsky, "Along the Midway of Mass Culture." Originally published in 1949. Reprinted in William Phillips and Philip Rahu (eds.) The New Partisan Reader, 1945-1953. New York: Harcourt, Brace and Company, 1953, pp. 344-360.

Christopher Lasch, "Mass Culture Reconsidered." Original source unknown.

Lawrence W. Levine, "Prologue." In Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1988, pp. 1-9.

George Lipsitz, "Cruising Around the Historical Bloc: Postmodernism and Popular Music in East Los Angeles." In Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press, 1990, pp. 133-160, 283-285.

Dwight MacDonald, "A Theory of Mass Culture." Originally published in 1953. Reprinted in Bernard Rosenberg and David Manning White (eds.), Mass Culture: The Popular Arts in America. Glencoe, IL: The Free Press, 1957, pp. 59-73.

Herbert Marcuse, "Some Social Implications of Modern Technology." Originally published in 1941. Reprinted in Andrew Arato and Eike Gebhardt (eds.), The Essential Frankfurt School Reader. New York: Continuum, 1982, pp. 138-162, 180-182.

Susan McClary, "Living to Tell: Madonna's Resurrection of the Fleshly." In Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991, pp. 148-166, 204-210.

Scott McCloud, "The Vocabulary of Comics." In Understanding Comics: The Invisible Art. New York: HarperPerennial, 1993, pp. 24-59.

Angela McRobbie, "Postmodernism and Popular Culture." In Lisa Appignanesi (ed.), Postmodernism: ICA Documents. London: Free Association Books, 1989, pp. 165- 179.

Eileen R. Meehan, "Conceptualizing Culture as Commodity: The Problem of Television." Originally published in 1986. Reprinted in Horace Newcomb (ed.), Television: The Critical View (fifth edition). New York: Oxford University Press, 1994, pp. 563-572.

Eric Michaels, "My Essay on Postmodernity," Art and Text, June-August 1987, pp. 86-91.

Suzanne Moore, "Here's Looking at You, Kid!" In Lorraine Gamman and Margaret Marshment (eds.) The Female Gaze: Women as Viewers of Popular Culture. Seattle: The Real Comet Press, 1989, pp. 44-59, 193-194.

Meaghan Morris, "Tooth and Claw: Tales of Survival and Crocodile Dundee." In The Pirate's Fiancée: Feminism, Reading, Postmodernism. New York: Verso, 1989, pp. 241-269, 284-287.

Graham Murdock and Peter Golding, "For a Political Economy of Mass Communications," The Socialist Register, 1973, pp. 205-234.

The Nation, special section on "The National Entertainment State," 3 June 1996, pp. 9-10, 12, 14-16, 18-26, 28-32.

Cary Nelson, "Always Already Cultural Studies: Academic Conferences and a Manifesto." In Isaiah Smithson and Nancy Ruff (eds.), English Studies/Cultural Studies: Institutionalizing Dissent. Urbana: University of Illinois Press, 1994, pp. 191-205.

Constance Penley, "Feminism, Psychoanalysis, and the Study of Popular Culture." In Lawrence Grossberg, Cary Nelson, Paula Treichler, Linda Baughman, and John Macgregor Wise (eds.), Cultural Studies. New York: Routledge, 1992: pp. 479-500.

Katha Pollitt, "Why We Read: Canon to the Right of Me . . ." Originally published in 1991. Reprinted in Reasonable Creatures: Essays on Women and Feminism. New York: Vintage, 1995, pp. 16-25.

Janice Radway, "Identifying Ideological Seams: Mass Culture, Analytic Method, and Political Practice," Communication, 9, 1986, pp. 93-123.

Janice Radway, "Mail-Order Culture and Its Critics: The Book-of-the-Month Club, Commodification and Consumption, and the Problem of Cultural Authority." In Lawrence Grossberg, Cary Nelson, Paula Treichler, Linda Baughman, and John Macgregor Wise (eds.), Cultural Studies. New York: Routledge, 1992: pp. 512-530.

Gilbert B. Rodman, "Elvis Culture." In Elvis After Elvis: The Posthumous Career of a Living Legend. New York: Routledge, 1996, pp. 130-180, 201-210.

Bernard Rosenberg, "Mass Culture in America." In Bernard Rosenberg and David Manning White (eds.), Mass Culture: The Popular Arts in America. Glencoe, IL: The Free Press, 1957, pp. 3-12.

Bernard Rosenberg, "Mass Culture Revisited." In Bernard Rosenberg and David Manning White (eds.), Mass Culture Revisited. New York: Van Nostrand Rheinhold, 1971, pp. 3-12.

Andrew Ross, "Ballots, Bullets, or Batmen: Can Cultural Studies Do the Right Thing?" Screen, 31(1), 1990, pp. 26-44.

Andrew Ross, "No Respect: An Introduction." In No Respect: Intellectuals and Popular Culture. New York: Routledge, 1989, pp. 1-14, 233-234.

Greg Seigworth, "Sound Affects," 13 Magazine, December 1995, pp. 21-23, 25.

Carol A. Stabile, "Another Brick in the Wall: (Re)contextualizing the Crisis." In Michael Bérubé and Cary Nelson (eds.), Higher Education Under Fire: Politics, Economics, and the Crisis of the Humanities. New York: Routledge, 1995, pp. 108-125.

Carol A. Stabile, "The Emperor's New Clothes: Contemporary Media and Delusions of Democracy." Paper presented to the University YMCA Friday Forum Series, University of Illinois at Urbana-Champaign, September 1994.

Carol A. Stabile, "Erasing Racism: Murphy Brown, Dan Quayle and the L.A. Riots." Paper presented to the conference, "Living and Working With Cultural Plurality," University of Illinois at Urbana-Champaign, October 1992.

Carol A. Stabile, "Resistance, Recuperation, and Reflexivity: The Limits of a Paradigm," Critical Studies in Mass Communication, 12, 1995, pp. 403-422.

Carol A. Stabile, "Taking the Bite Out of the Media's Crime Wave." Paper presented to the Department of Communication Colloquium Series, University of South Florida, February 1996.

Dominic Strinati, "Feminism and Popular Culture." In An Introduction to Theories of Popular Culture. New York: Routledge, 1995, pp. 177-219, 270-271.

Dominic Strinati, "The Frankfurt School and the Culture Industry." In An Introduction to Theories of Popular Culture. New York: Routledge, 1995, pp. 51-85, 265-266.

Dominic Strinati, "Marxism, Political Economy and Ideology." In An Introduction to Theories of Popular Culture. New York: Routledge, 1995, pp. 129-176, 268-270.

Dominic Strinati, "Mass Culture and Popular Culture." In An Introduction to Theories of Popular Culture. New York: Routledge, 1995, pp. 1-50, 264-265.

Dominic Strinati, "Postmodernism and Popular Culture." In An Introduction to Theories of Popular Culture. New York: Routledge, 1995, pp. 221-245, 271-273.

Dominic Strinati, "Structuralism, Semiology and Popular Culture." In An Introduction to Theories of Popular Culture. New York: Routledge, 1995, pp. 87-128, 266-268.

Mariko Tomita and Carl Bybee, "Theories of News," Jump Cut, 34, 1989, pp. 77-83.

Paula A. Treichler, "Teaching Feminist Theory." In Cary Nelson (ed.), Theory in the Classroom. Urbana: University of Illinois Press, 1986, pp. 57-128.

Gregory L. Ulmer, "Introduction: Academic Discourse in the Age of Television." In Teletheory: Grammatology in the Age of Video. New York: Routledge, 1989, pp. 1-17.

David Manning White, "Mass Culture in America: Another Point of View." In Bernard Rosenberg and David Manning White (eds.), Mass Culture: The Popular Arts in America. Glencoe, IL: The Free Press, 1957, pp. 13-21.

David Manning White, "Mass Culture Revisited." In Bernard Rosenberg and David Manning White (eds.), Mass Culture Revisited. New York: Van Nostrand Rheinhold, 1971, pp. 13-21.

Mimi White, "Ideological Analysis and Television." In Robert C. Allen (ed.), Channels of Discourse, Reassembled: Television and Contemporary Criticism (second edition). Chapel Hill: University of North Carolina Press, 1992, pp. 161-202.

Raymond Williams, "The Analysis of Culture." In The Long Revolution. New York: Columbia University Press, 1961, pp. 41-53.

Raymond Williams, "Culture Is Ordinary." Originally written in 1958. Reprinted in Resources of Hope: Culture, Democracy, Socialism. New York: Verso, 1989: pp. 3-18.

Judith Williamson, "Three Kinds of Dirt." In Consuming Passions: The Dynamics of Popular Culture. New York: Marion Boyars, 1986, pp. 223-227.

Janice Winship, "'A Girl Needs to Get Street-Wise': Magazines for the 1980s," Feminist Review, 21, 1985, pp. 25-46.